Showing posts with label Museum. Show all posts
Showing posts with label Museum. Show all posts

2011-04-15

Dinner and a Soda

So on Thursday I turned 27 for the 14th time (everyone else is telling me that is actually 40,but I refuse to believe it).

Here are some random observations about the concept and the day.

  • Dinner at Sullivan's in Seattle?  Definitely a good choice. Located at the former site of the Union Square Grill, it's easy to walk to from my apartment. And they have plenty of meat, which is awesome.
  • Apparently you can get cases of soda from Jones with custom labels. The Shoebox Chef created a batch for me with what had been one of my sillier Facebook profile pictures. It's quite good.
  • My Mother is in town, and that's always fun.  It gives me an excuse to some of the remaining tourist things in the area, and it's always great to see her. Visiting MOHAI was particularly interesting especially when this article in the Seattle Times followed that visit.
  • The age itself?  Yeah. That's a little weird.  I'm still not sure how I feel about that.  There comes a point when you start to realize you are no longer preparing for your adult life, but actually living it.  I can see that in the distance.
  • I'm kind of stunned by the number of birthday greetings I got on Facebook this year.  It's awesome, and quite different from years passed.  It's great hearing from the awesome folks I've known over the years, and it's fascinating how this appears to represent a larger cultural shift...but now is not the time to drift into an analysis of the impacts of social media.
  • Perhaps next year it will be time to turn 28. We'll see what happens next spring.


It's been a great 26+14 years so far, and I am grateful for all the awesome people who have been a part of that and contributed in large part and small to making me the person I am today.

Now, let's see what the next 160 years have to bring...

2009-11-14

Currier Museum of Art

Earlier this week, I unexpectedly found myself with a few hours to kill in Manchester, NH.  A colleague suggested I visit the Currier Museum of Art. A $10 admission fee got me into this neat facility.

At first I was regretting my decision to visit.  The first gallery was mainly paperweights.  Paperweights!  The sheer mundanaity of the concept hurt my head. But I looked closer, and some of these glass weights were beautiful and impressively crafted, especially since they were so old.  In general, I found the glass on exhibit here to be more interesting than the exhibits at Tacoma's Museum of Glass. 

But the cool stuff was behind another door. The European wing featured paintings that were hundreds of years old.  The skill that it took to create these images is something I rarely think about.  Yet the detail in the paintings, the colors of the faces, the emotions that reach out from the canvas seem just as vivid now as they must have been hundreds or years ago.

While there is no touching of the art, you can still get close to it.  I found it a powerful experience to be staring  with my face inches away from these paintings hundreds of years old.  One even predated Columbus's journey to the new world. 

These fragile treasures survived wars, fires, the rise and fall of nations and civilizations, weather, being lost, stolen , or found, and they eventually made their way to this small corner of New Hampshire.

It makes my head spin.

The other really cool thing they had was an exhibit of photography of Brett Weston.  Most people can name Ansel Adams as a well-known American photography, but hoe many people can name others?  I was not familiar with Weston's striking and natural work, but I'm glad I got to see these images and learn a little about his story.

I know enough about photography, that I feel if I had the time and inclination, I could do work just like these masters.  But then I look at these collections of images -- these simple images, and know that I can't.

An artistic photograph isn't finalized in Photoshop, or the dark room, or the camera.  The shot is done before the artist presses the shutter.  It's done when the artist chooses the scene and chooses the frame.  The camera is just equipment.

But the point is, if you have the time to check our the Currier, do so.  I only highlighted a couple sections.  There is still plenty more to see the next time you are in New Hampshire.

2008-07-17

Harley-Davidson Museum

I had a few extra hours in Milwaukee this afternoon, so I walked over the the new Harley-Davidson Museum. The museum is new to Milwaukee's construction ridden downtown, but Harley Davidson is not. The American icon celebrates it 105 birthday this year in the city that started it all.

Most people don't think of me as a Harley kind of guy. And that's okay, because, well, I'm not. But there the essence of the company and the motorcycle does touch that cord in me that sings out for the open road.

I did have a motorcycle license for a couple years. I was bored and unemployed in Helena, MT for a while, when i stumbled across a flyer advertising a two day motor cycle training class. At the end of the class, you took a road test. Then all you needed to do was take the written test from the state and you had your license. So a quick trip down to the local pawn shop to buy a helmet and I was in business. I had to give up my motorcycle license when I moved to Washington because the only way I could keep it was to take a road test.

The museum, though, is very cool. They have a huge collection fo bikes from throughout the company's history.

They have the oldest known Harley still in existence in a special display. In the main part of the museum, they highlgiht bikes throughout the ages, stating with these early models from the early 20th century.

The depth of information in the audio tour it helpful, and the placards are rather technical. If you are not already well-versed in the Harley lore much of it may go over your head. It certainly did with mine.

But as I walked through the exhibits, I could see the modern motorcycle evolve. Beginning in the 30s the bikes began to look more like what I see on the road today.


These were some of my favorites from the old bikes section.



This one does remind me of a Cylon, however (not unlike that train in St. Louis).

The museum has section dedicated to the early marketing material (which was surprisingly cool) engine technology, racing and hill climbing (which looks insane), and WWII.

The second half of the museum get even more interesting. Once they start highlighting the 50s thru the 80s the focus on customization and on the biker culture.

The have a separate room painted black to focus on the dark part of Harley's history -- the 1970s where the were owned by the AMF (the bowling company). During that time, sales fell, foreign competition increased, and quality fell apart.

In this part of the museum they also highlighted some of the odder Harley-Davidson products like boats, snow mobiles, and golf carts.



Can you imagine pulling up to a bar in Sturgis, SD, driving a Harley-Davidson golf cart? I might have to try that someday.

The last room in the museum is where you can finally mount up and pretend to ride. They have an assortment of motorcycles bolted to the floor so visitors can climb on top of them and feel what it's like to actually sit on at a real Harley.

The staff at the museum was exceedingly nice. I did not expect that. I don't know what I expected, though. Either they just hired an amazing collection of friendly, chatty, and super nice people, or the museum simply hasn't been open long enough for them to hve become jaded and angry by dealing with the public.

The layout is also a little unclear. While I like that they give people the freedom to meander through the rooms and displays, I would have preferred a clearer, more obvious suggested sequence. It's tough to keep track of what I'm learning when I keep getting confused by the chronology and path of discovery. But, as I've mentioned before, I tend to be a rather linear thinker who's not big on meandering. I'm actually that guy who reads most of the placards in a museum.

The museum is definitely worth a visit if you are a fan of the Road, of Harley-Davidson, of motorcycles, or simply of American icons.

2007-04-22

Bodies...The Exhibition

Bodies The Exhibition Souvenier Statue



Bodies...The Exhibition is a touring show highlighting the anatomical structure of the human body.

A University in China accepts unclaimed bodies from the government and preserves them through a process called plastination. Using silicon, acetate, and other materials, they preserve the structures of the body in such a way that they can be displayed in full or in part in a museum.

Make no mistake -- the bodies in this show are real. People who were born, grew up, lived their lives, and subsequently died in China are now preserved and traveling the country for the general public to see and study.

This is the last week of the Seattle exhibit. Next weekend, they put the people and various people parts into boxes and take the show to San Diego.

So it was crowded when my GF and I went to the show today.

It was a fascinating show. The divided it into multiple rooms showing different organ groups. The first area focused on the bones and muscles. Another room was all about the nervous system and brain. The circulatory system, digestive system, respirtory system and reproductive system also had their own rooms.

Most rooms had one or more full bodies opened up so you could see each of the organs they were talking about.

These bodies stand right in the room. There is no Plexiglas case around them. You could reach right in and touch the insides of these people. Of course there are signs in front of each body that say "Please do not touch" and, since it's Seattle, nobody touched.

Most of the bodies are in action poses -- throwing a Frisbee, pitching a baseball, or swinging a tennis racket, for example. You can see which muscles are contracting and which are relaxing. You can see how they relate to one another.

In the first room, they have what looks like 2 bodies supporting one another. It's actually just one body, though. His skeleton has been separated from his muscles. And the full set of muscles is looking at the full skeleton.

In addition to the bodies, they have body parts throughout the exhibit, though these are in cases. For example, they have legs and arms with out the skin. They also have limbs sliced in half or opened up in other ways so you can see how things like the wrist or knee work.

The circulatory system was fascinating. They used a different process here. Basically they injected a substance into the blood vessels that hardened and preserved them. Then they used other substances to dissolve away the rest of the tissue. This leaves behind just the blood vessels preserved in their original shape -- like red ghosts of the people they used to inhabit. Considering how small and delicate most of the 60,000+ miles of blood vessels are, it's amazing we don't bleed to death each time we walk into a wall. Or wear a hat that's too tight.

They also had a section set aside for embryonic/fetal development. They posted a sign outside that room explaining that all the bodies in there were from children who died due to complications during pregnancy or unsuccessful fetal surgery. They also offered a second door through the exhibit so those who were uncomfortable with those bodies or birth defects could skip it and continue though the hall.

Here I have some difficulty wrapping my head around the extra sensitivity with which exhibitors have to treat the bodies in this room while being a part of a culture that allows legal abortion.

I learned quite a few things at the exhibit.

  • Most organs in the human body are either much smaller or much larger than I expected.

  • The brain is significantly smaller than I imagined.

  • The lungs are much smaller and higher in the chest cavity than I thought.

  • The three bones in the ear are really small. And yet highly sensitive.

  • The uterus is really tiny when not in active use.

  • The liver is much bigger than I thought. And it's the largest internal organ, often coming in at more that 2 pounds.

  • The lungs are designed in a modular fashion. Each section works independently of the others, making it possible to remove just parts of a lung.

  • There is a lot of complicated stuff packed into a very small space in the chest cavity.

  • The navel of an adult is huge, especially when you separate much of the surrounding skin.

The creepiest thing I saw was the skin display. Without the structure of bone and muscle, it looked like some sort of Halloween costume, which I guess it is.

There were some strange things, too. The eyes in the displays were a little disconcerting. I don't know if they were the actual eyes the people had or if they were artificial. I'm guessing artificial because they were a little too perfect.

Several of the bodies still had eyebrows or eyelashes. And some of them still had toenails.

The other interesting part of the show was the crowd. There were plenty of adults and children there. The kids generally seemed fascinated, listening to the description on their museum audio tour sticks. A few seemed bored. None of them seemed disturbed by the show.

Most of the adults attending also seemed interested, though several of them looked a bit tense as well.

Many of the attendees were medical professionals explaining the details of the parts and bodies to their bored friends and relatives.

One of the displays was of a Teratoma, which is some sort of tumor. One women called out to here friend, "Oh, cool! Look -- an actual teratoma!" The friend excitedly rushed over and agreed that it indeed was quite cool and exciting.

It was a good show. I appreciated the opportunity to see how the body is put together and get a look at these normally hidden parts. I don't know if it's the type of show I can say I really "enjoyed" -- that would seem a bit disrespectful of the people whose insides we were looking at. But I'm glad I went and can definitely recommend it.

-----

I should mention that the show is controversial for a few reasons. There are occasional protesters in front of the building. The Seattle PI discussed some of these in its mostly positive review.



But critics say this show and others like it don't so much educate as they do desecrate the human body for profit.

"Premier is a for-profit company. What they're trying to do is make money for a corporation," said Philip Lipson, a Seattle resident who Tuesday stood outside the soon-to-be-opened exhibit distributing protest fliers.

Meanwhile, members of human-rights watchdog groups and some members of Seattle's Chinese community have expressed concern that, not only do the bodies come from a country with a long history of human-rights abuses, but the people whose bodies were used did not give permission for their bodies to be put on display.

"I'm troubled by the fact the bodies are from China," said Ron Chew, executive director of the Wing Luke Asian Museum. "There are a lot of issues there."

"From a cultural perspective, especially since a number of the cadavers are from China, it feels like a gross violation," said Bettie Luke, who works with various Seattle Chinese American groups. "The willful use of putting a body on indefinite display like that condemns the soul to wander the netherworld with no chance to rest."

...
Markel and others are concerned that shows like this do not use bodies from consenting donors and do not make public the paper trail showing exactly where the cadavers came from.

"I'm all in favor of people looking at and understanding the human body," he said, but added that he thinks there are other ways, besides public spectacle, to educate people about their inner workings. "Frankly, I don't want to be somebody's Saturday entertainment."

Oddly enough, the most vocal critics of the Seattle show so far are Philip Lipson and his partner Charlette LeFevre, operators of the Seattle Museum of the Mysteries, a Capitol Hill museum that features exhibits on Bigfoot and UFOs and also hosts ghost tours.

"We feel that this group is not honoring the dead," Lipson said. "It's not treating them with dignity and is just making a peep show out of dead bodies."

...
"This Seattle exhibit is deeply flawed," Aaron Ginsburg, a pharmacist from Massachusetts, wrote in an e-mail to the P-I. "The bodies were not donated, and may well have belonged to political prisoners. China is not a nation of laws, and any assurances that the bodies were legally obtained is meaningless."

Ginsburg has started a nationwide Web site protesting the various body exhibits with a portion of the site dedicated to the Seattle show: http://dignityinboston.googlepages.com/seattle.

Tan Truong, a Seattle practitioner of Falun Gong, a spiritual movement banned in China, also is worried about the origin of the cadavers.

Though Truong admits there's no proof the bodies are those of imprisoned Falun Gong practitioners or other enemies of the Communist government, he said, "You just don't know what kind of bodies you're getting from China because there's not a lot of regulation. There's a lot of organ harvesting."

But Glover insisted, "We are not using the bodies of executed prisoners. We are not using the bodies of anyone that belongs to (the Falun Gong). We are very sympathetic to the cause of the Chinese people that are undergoing the violations of their rights. But because we have a partner in China does not mean we are part of the problem."

Dalian Medical University receives the bodies from the government, Glover said. That's because when a person dies in China and there's no one to claim the remains, the government allows the body to be used for medical study.

Glover insists that all the people died from natural causes (including disease). He also said Premier has spent "considerable time" investigating the university. And Zaller said Premier has contracts with the university certifying that the bodies are not those of former prisoners or people from mental institutions. (Premier does not, however, show its contracts to the media.)

Glover points out that the Chinese government's gifting of unclaimed bodies to universities for study and education is not dissimilar to practices in much of the United States. Unclaimed bodies here often are used for medical study and education, though that does not appear to include use in any of these traveling shows.



One of the complaints is that the exhibit can't be educational because it's put on by a company using it to make money. Education and profit are not mutually exclusive however. But that is a rant for another day.